I worked closely with my editor Christian Beckett to create a scene that both captured the feel of an old west film and also brought in an almost supernatural feel of paranoia. In order to do this to the best of our abilities, both Christian and I met several times and made notes on how we felt each edit could be improved. Such edits included removing Hana's entrance so she is in the scene from the beginning, and adding working on the colour correction to help the scenes feel both modern and older at the same time. Below are photos and notes taken during one meeting.
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